Saturday, April 9, 2011

understated performer: the Lamy 2000

i can also entitle this blog entry as : Sometimes, A Girl Gets Lucky.

here's why. one day, i took home a pretty cool fountain pen, the popular Lamy Safari. that is not really much by itself but i especially liked it because it is red AND it had a black clip. the red Safari these days mostly have chrome clips. since i was so happy about it, i spontaneously posted a photo of it on Facebook. that turned out to be serendipitous! why? because an acquaintance and fellow photographer, Rolly Magpayo, saw the post and he thought it might be a good idea to ask me if i wanted to buy his hardly-used Lamy 2000, for almost a third of its market price. ...and it's a price that would not normally be in my range.

the minimalist, modern classic Lamy 2000 with the pen capped

being all of a newbie, i wasn't very familiar with the Lamy 2000 then -- but the price definitely appealed to me. truth be told, i was even a bit skeptical when my friend told me about how expensive it actually cost at the local National Bookstore. it got me wondering if there were issues with it and i even asked him this much. he replied that he simply wanted to dispose of some extraneous luxuries and that there really was no issue with his slightly used pen.

the simple yet elegant clip is "spring-loaded" meaning it can be pressed so it can easily be clipped to one's shirt pocket or neckline. it is so minimalist, even the branding is subtly engraved in fine letters on the side of the clip instead of on the top of it.

i immediately did some googling and found this from Wikipedia, among other things:
The Lamy 2000. Lamy's flagship fountain pen is the 2000. Designed by Gerd Alfred Müller and released in 1966, it remains in production today. The 2000 was innovative in its day for its use of a special fiberglass resin produced by Bayer, Makrolon, for the body of the pen. It is the only Lamy fountain pen that is a piston fill pen, so thus only takes bottled ink. It has a flexible 14 carat gold nib, though it is plated with platinum, which achieves a uniform colour scheme to the pen. The pen's design demonstrates the Bauhaus influence on Lamy pens, and that of "form follows function". The classic design continues to be popular forty years after being introduced. Notable author Neil Gaiman wrote his book American Gods with his Lamy 2000, which he refers to as his "novel writing pen".

the topside of the broad, platinum plated 14K flexible gold nib

How can i even resist that? aside from being a beautiful, minimalist, artfully designed pen, it strongly appeals to me because i also have a fetish for things that are released around the year of my birth. it was added attraction too that it is a favorite by a famous author who actually wrote his book with it, quite literally. so it wasn't surprising that the very next day, i was out to meet Rolly by the gates of GMA where he works, to view the pen. after deliberation and some hesitation (mostly due only to the fact that it was a broad nib and i usually prefer fine), i still ended up taking it. the price was too good to pass up. he even threw in a full bottle of black Lamy ink to sweeten the deal.

the Lamy 2000 has this little, unobtrusive window that shows how much ink it still has. this is how the window looks when the pen is empty.


this is how it looks when filled with a purplish ink. pretty cool yes?

however, that even that little window is minimalist--it is not obvious unless it is bright and the light source is behind the window. compare with the photo below with the light source on top instead of behind.


however, when i got home and started writing with it, i had some misgivings. i tried really hard to like the broad nib but it just won't jive with the way i write. the writing was skipping which i eventually figured was due to the angle that i naturally held my pen. my instinctive inclination was to grind the nib. (is it odd that i didn't even want to sell it off? :-D the thought did cross my mind, though.) of course, good logic contradicted. it would simply be foolhardy to do that because i didn't have enough experience! i tried nibgrinding just once before and i was happy with the result but it was with an 80-peso -- that's about US$1.75-- chinese pen. THIS one is a pretty expensive US$175.00 pen. definitely NOT a good idea to experiment nib-grinding with it.

...and i did successfully stay away from touching that nib... for about 24 hours.

but, before you scream at me, check out the results :-D i do have to thank an FPN-P member and a legit nib expert, J.P. Reinoso, who helped me out by doing the final tweaking to that nib. i didn't have the ultra fine buffing pad he has and he needed to smooth it down because, after my own grinding, and even if i was pretty happy with the line strokes, the nib was still on the scratchy side. after JP buffed it, it wrote like butter. definitely better.

check out below the difference of how it wrote BEFORE i fooled around with grinding the nib and AFTER.

all the skipping was making me frustrated and it shows on my penmanship. i definitely love the pen itself, but i hated how i write with it. the broad nib and i don't match.


now here is my writing AFTER i "tweaked" it. notice the line variations in the writing, the horizontal strokes are thinner and the downstroke, thicker. most importantly, no more skipping! :-D


...and here are the before and after profiles of the nib.

left side: BEFORE grinding


left side: AFTER grinding


underside: BEFORE grinding

underside: AFTER grinding


right side: BEFORE


right side: AFTER


topside: BEFORE


topside: AFTER


some writing samples again using Pelikan Edelstein ink (Jade) and J. Herbin ink (Larmes de Cassis)


needless to say, i definitely ❤❤❤ this pen now ...so much that it is always inked and regularly a part of my daily arsenal :-D

Monday, March 21, 2011

the sleek, black Smith Corona Sterling

if i have to pick one favorite among my small stable of typewriters, this will be it, at least currently. i love its sleek shape that seems to look best in black. of course, that is unless i happen to snag the pre-war maroon version of this model from the Machines of Loving Grace website.

when i first got it, it was this dirty and grimey and looked like it housed several varieties of mold. now look how handsome it is. the only thing that i wished it had was metal keys. i find it quite odd that mine had flat plastic keys when most of the same model i see on the net had round metal ones. since this particular model was in production just before the war when production was halted, my theory on this is that, when the production resumed after the war, the Sterlings with the metal keys are probably those that were produced from the leftover parts from the pre-war times. mine was probably produced after the original metal keys had run out. it was probably transitional especially since the Sterlings after this model had plastic keys.




anyhoo, i was so proud of it that when the FPN-P's penmeet came around (the first i attended), and it had a theme of "bring-your-collections-other-than-pens", i brought this Sterling. i also thought this would be great to show them particularly since i knew Mr. Butch D. was going to bring it's "ancestor", a 1920's folding Corona #3 to the penmeet too.


Mr. B even demo'ed how it opens. see the vid below which i took with the iPhone in a not so well-lit restaurant. i tried to brighten it a bit on Adobe Premier. not tops, but it'll do:



my Smith Corona Sterling was heavy so i had to opt out bringing a camera to the penmeet. on hindsight, i wish i had brought one. all i had was my iPhone so there's not much photos i captured. or maybe, it was just as well because even if i brought i camera to the meet, i probably wouldn't be able to click much considering that i was so overwhelmed with all the oogling i was doing at the beautiful pens that they had!








i did pick up a lot of tips at the meet. that is one advantage of going to one. best of all, Mr. JP helped me out in smoothing out a Lamy 2000 nib that i so imprudently tried practicing nib-grinding on. (this is for another blog story :-D) i also picked up a lot on what to buy! i went home that day with 4 fountain pens --a John Bull eyedropper with a flex nib from Mr. Butch (another good story on this!), a Parker 45 flighter, a Schneider Zippi, and an FP from Muji AND i had to come back for a Parker 75 the day after--because after the meet, I and my girlfriends, had to go around town (mallhopping!) to the stationery stores for some inks and pens.

ahhh, the pens... they are accumulating! they have a tendency to accumulate faster than i can blog them particularly since they are pretty easy to get and they do not present the same space and weight problems that typewriters have. i am quite painfully discovering that this addiction is a lot more potent than the typewriters... yes, painfully. my wallet hollers "ouch" already! even if i am definitely not into the 'really-expensive-sell-an-organ-or-body-part' kind of pens, the compounding challenge is that there is an offshoot collection/addiction that inevitably comes with it--inks and notebooks! ...and it's just too darn fun to stop playing with them! as evidence, check out the pages i added to this blog on pens, ink, and of course, the typewriters that started me out on all the madness. Will update those pages as i accumulate... er... write the stories or my experiences with my big girl toys :-D

Wednesday, March 9, 2011

my first vintage fountain pen

Esterbrook SJ fountain pen in a lovely red. my first vintage pen.
noting the "jewel" on the bottom and top of the pen, this kind would have been made after 1948. it also has an ® engraved on the barrel so i'm guessing this one would be from sometime in the 1950s.



being first accustomed to the brand new nibs of new pens, this nib initially felt scratchy to me and seems to always catch on paper. but, it had grown on me since and this is one that i regularly use now.

the nib had some scuffmarks on the backside but it still writes well.




Estie. got it. love it. want more.
if you have one to offer, preferably in green, blue or copper, please leave me a message. But of course you can leave me any other message, too. I love comments :-)

Friday, February 25, 2011

junkiehood

the following typecast is sort of outdated by now considering that many new things have already happened in my little analog world. i'm posting it anyway since I have already typed and scanned it a week ago but didn't find time to properly post it. will be blogging more soon on some of my latest typewriter, pen and paper addiction developments. i do have to mention first that i have been sinking deeper and deeper into an inky quagmire since my last posting about a couple of weeks back, but more on that later.


Luis Store is closed on Saturdays. make sure to go on a weekday.


my very first fountain pens. first on the left is the Parker I.M. with a fine nib. The teal pen is the fine point Pilot 76G. Next to it is the green Youth 208 pen and the other one has Youlian on the clip but has Tiantan 219 engraved on the body.


this is how my Smith Corona Sterling looked when i got it from the store, fresh in from an old warehouse haul. but first time i laid eyes on it, i knew it would be a looker after i clean it up. i was right. works perfectly now, too.
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